So I’m trying to track down the details on this Joshua Allen story, and the first thing I hit is a brick wall. Literally. A digital one. I’m trying to access a news source out of Seattle and I get this gem: “Error 451. It appears you are attempting to access this website from a country outside of the United States, therefore access cannot be granted at this time.”
Give me a break. Error 451. The HTTP code for “censored.” It’s a reference to a book about burning books, for crying out loud. I’m not trying to access state secrets, I’m trying to read a local news report. This is the internet we built, I guess. A bunch of walled gardens jealously guarding their local car dealership ads. It’s a perfect little metaphor for the whole story, really. A bright promise that ends in a pointless, frustrating error message.
The Ghost of Season Four
Joshua Allen is dead at 36.
If you were watching TV back in 2008, that name means something. He was the winner of Season Four of So You Think You Can Dance. The guy who took the crown. He was a powerhouse, this raw talent who hadn't spent his entire life in a pristine studio. He told Entertainment Weekly he wasn't "that technically trained," that he just took classes in the summer between track and football. He was the underdog you root for. The American dream in dance shoes.
And who was the runner-up that season? A guy named Stephen Boss. You probably know him as tWitch.
tWitch died in December 2022. Now Joshua Allen is gone, too. The number one and number two from the same season, both gone before they hit 40. What the hell happened to the promise of 2008? It feels like a cursed season, a story that started under the brightest lights imaginable and ended in the dark.
I went back and read some of the old interviews. Allen talked about how close he and tWitch were on the show. "We were two of the closest people there," he said. He insisted they were both "really happy for each other" when he won. And looking back, I actually believe that. There was a genuine joy in that moment, a feeling that two incredible talents had made it, and their futures were limitless. One got the title, the other became a household name alongside Ellen DeGeneres. It was supposed to be the happy ending for both of them.
It wasn't.
The Inevitable Downslope
After the confetti fell, Allen did what you’re supposed to do. He cashed in. He got roles in Step Up 3D and the Footloose remake. A guest spot on American Horror Story. He was working. He was visible. He was living the dream he’d won on national television.
And then, the gears started to grind.
In 2016, the headlines changed. The story wasn’t about his dancing anymore. He was arrested for domestic violence. He pleaded no contest, which offcourse is the legal system's way of letting you say "I'm not admitting I did it, but I'm not fighting it." The sentence was a year in jail, five years of probation, and counseling.
It’s a tragedy. No, 'tragedy' doesn't cover it—it’s a goddamn Greek tragedy, a two-act play of hope and collapse. This ain't a fairy tale where the charming dancer gets the trophy and lives happily ever after. This is real life, where the applause fades and the demons you had before you were famous are still waiting for you when the cameras turn off. Probably stronger than ever, fed by the pressure and the sudden emptiness.
I don't know what happened in his life after that. The facts get thin, just like the news articles. His last Instagram post was a tribute to Malcolm-Jamal Warner after his death. "Fly high King," he wrote. And now people like Todrick Hall are posting tributes for him. The social media grief-cycle churns on.
Maybe I'm just reading too much into it. Maybe it's just two seperate, awful things that happened to two guys who once shared a stage. But it feels connected, doesn't it? It feels like a commentary on the whole reality TV machine. We get to watch the ascent, the thrilling climb to the top of the mountain. We’re the ones who put them there with our votes. But we never stick around to see if the altitude sickness kicks in. We just change the channel.
It feels like a promise that was broken, and we're all just left looking at the pieces and—
Look, let’s be real. We sell these people a fantasy. A golden ticket. We tell them that if they just dance hard enough, sing loud enough, or have a compelling enough sob story, they’ll be set for life. It’s a lie. For every one that makes it, a hundred fall back to earth, and some of them never recover from the impact. The show is over. The machine that built them up has moved on to the next season's model, and the wreckage of the old ones is just a sad story you have to get past an error message to even read.
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